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羊脂球英語(yǔ)讀后感

時(shí)間:2024-09-02 09:05:22 曉麗 英語(yǔ)讀后感 我要投稿

羊脂球英語(yǔ)讀后感

  當閱讀完一本名著(zhù)后,大家心中一定是萌生了不少心得,這時(shí)最關(guān)鍵的讀后感不能忘了哦。那要怎么寫(xiě)好讀后感呢?下面是小編為大家整理的羊脂球英語(yǔ)讀后感,僅供參考,希望能夠幫助到大家。

羊脂球英語(yǔ)讀后感

  羊脂球英語(yǔ)讀后感 1

  Throughout the novel did not describe the balls psychological activity, her happiness and joy, sorrow and sad, happy and delighted, injustice and anger by her show in front of the readers. The author seems to have no longer needed her confession, but all her feelings, we have a deeply comprehend.

  The author USES a series of contrast method. He did not tell us directly the ball the image is the beauty and ugliness, but we for her beauty, kindness experience deep. Why is that? Because the author around the beautiful kind of suet ball depicts a group of ugly, vulgar person. Although they have high social status, and have and their status is inversely proportional to the dirty soul. Is also the franco-prussian war victims, the difference between person and person how can so different? Solemnity even respected people at ordinary times, in front of the disaster shows shameless face, and on the social status and dignity of people, selfless kind.

  Maupassants work often makes us in shock, more to remember the love of the motherland, love people, love the great writers of peace. Although, in the work, he often see the ugliness of life, part of the dark, stripping analysis it bleeding, even daunting. But he has let us see more real, return of life.

  Maupassant for summary on their own creation, is the "hidden" in his writing skills. Like a picture, when the picture on a piece of scenery or a character occurs, we went to live from a piece of green leaf can infer is the scene of spring, from a character wearing and temperament to be able to see his status. Only those mediocre painter, can choose to use a forest to reflect in the spring, with the characteristics of a whole group of people to foil should reflect the figure. Maybe, this is a great artist and the difference between ordinary writer.

  小說(shuō)通篇沒(méi)有描述過(guò)羊脂球的心理活動(dòng),她的喜與樂(lè ),哀與愁,快樂(lè )與欣慰,委屈與憤怒都是通過(guò)她的一舉一動(dòng)展現在讀者面前。作者似乎已經(jīng)不需要她再表白什么,但是她的一切感受,我們已經(jīng)深深感悟到。

  作者成功運用了一系列對比的方法。他沒(méi)有直接告訴我們羊脂球這個(gè)形象是美與丑,可是我們對于她的美麗,善良卻體會(huì )深刻。為什么呢?因為作者在美麗善良的羊脂球周?chē)坍?huà)了一群丑陋粗鄙的人。他們雖然有著(zhù)崇高的社會(huì )地位,卻有著(zhù)和他們的地位成反比的骯臟的靈魂。同樣是普法戰爭的受害者,人和人之間的.差別怎么會(huì )那么懸殊?平時(shí)一本正經(jīng)甚至受人尊敬的人,在災難面前顯露出無(wú)恥的面孔,而在社會(huì )上沒(méi)有地位和尊嚴的人卻表現的無(wú)私善良。

  莫泊桑的作品往往使我們在受到震撼之余,更加記住這位熱愛(ài)祖國,熱愛(ài)人民,熱愛(ài)和平的偉大作家。雖然,在作品里,他常常將人生的丑惡,陰郁的部分拿出來(lái),把它剝析的流血不止,甚至令人望而生畏。但他卻讓我們看到更加真實(shí)的,重新再現的人生。

  莫泊桑對于自己創(chuàng )作上的總結,很好的體現了他在寫(xiě)作上的“隱藏”技巧。就象一幅圖畫(huà),當畫(huà)面上的一片景色或者一個(gè)人物出現時(shí),我們往住從一片嫩綠的葉子就可以推斷出是春天的景致,從一個(gè)人物的穿著(zhù)和氣質(zhì)就可以看出他的身份地位。只有那些平庸的畫(huà)家,才會(huì )選擇去用一片森林來(lái)體現春天,用一整群人的特征來(lái)襯托所要體現的人物。也許,這就是偉大的藝術(shù)家和普通作家的不同之處吧。

  羊脂球英語(yǔ)讀后感 2

  Literature is more than birds fly far dream, beautiful emotion than flowers bloom, brighter than the stars flash was intelligent. So, read a literary classics that seems to enjoy.

  "Suet ball" this novel is about failure in a war of people fleeing war zone, sitting in a car of France will many celebrities lady, and one is called the ball prostitutes.

  At noon on the carriage of the first, who all dont have to eat, just the ball with a lot of food, and others to share.

  Second on the carriage, and in the case of a horse-drawn carriage almost for the first time, however, this is the ball didnt have to eat, others have brought, but no one wants to share his own lunch with her, on the road, they for the ball, also ironic, she laughed at her, the so-called social celebrities, ladies heart is so ugly.

  I feel very sad for the ball, she was the gang cheat very miserably, I also very hate that gang of evil beast, they not only doesnt even have basic patriotism, is on the civilization etiquette form see clumsy.

  文學(xué)是比鳥(niǎo)飛得還遠的夢(mèng)想,比花開(kāi)得還美的情感,比星星閃得還亮的聰慧。所以說(shuō),讀一本文學(xué)名著(zhù)就似享受一般。

  《羊脂球》這篇小說(shuō)講的是在一場(chǎng)戰爭中失敗的人民紛紛逃離戰區,在一輛會(huì )法國的車(chē)上坐著(zhù)很多名流淑女,還有一個(gè)叫羊脂球的妓女。

  在馬車(chē)上的第一個(gè)中午,誰(shuí)都沒(méi)有帶吃的,只有羊脂球帶了許多吃的,和其他人分享了。

  第二次上馬車(chē)時(shí),和第一次在馬車(chē)上的情況差不多,不過(guò),這次是羊脂球沒(méi)有帶吃的.,其他人都帶了,但沒(méi)人愿意與她分享自己的午餐,在路上,他們對羊脂球的事情十分不滿(mǎn),還諷刺她,嘲笑她,那些所謂的社會(huì )上的名流、淑女們的心靈是那么的丑惡。

  我替羊脂球感到十分傷心,她被那伙人騙的好慘,我也十分憎恨那伙可惡的衣冠禽獸,他們不僅連基本的愛(ài)國之心都沒(méi)有,就是在文明禮節上都形見(jiàn)笨拙。

  羊脂球英語(yǔ)讀后感 3

  Guy de Maupassant(18501893), one of the greatest critical realist writers in the world, is considered as one of three kings of world short story。 Maupassant created six novels and 359 medium forms during his brief lifetime, engendering a momentous effect on the later literature. And it’s his maiden work, Suet Ball that won him world-wide prestige.

  In1870, with the outbreak of the Franco-Prussian War, the real-based story Suet Ball happened. The heroine of the story is a humble harlot called Suet Ball. With a group of French residents of Rouen, recently occupied by the Prussian army, the 11 travelers are on their way fleeing to Le Havre in a stagecoach. In virtue of the appalling weather, the stagecoach moves rather slowly and has just covered a few miles by midday. Initially, those occupants snub Suet Ball whereas their attitudes alters with the emergence of a basket filled with scrumptious food and she caters for those hungry travelers selflessly.

  The carriage doesn’t stop until they blunders into a Prussian-held territory called T?tes. A Prussian officer detains the coach with no definite reasons. In the next two days, the occupants wait with barely concealed impatience and eventually Suet Ball tells that they will be detained perpetually unless she approves of sleeping with the officer. Out of her patriotism, Suet Ball gives him a point-blank refusal. As it should be, those travelers behave furiously to the officer"s arrogance while during the next two days, they exemplify logic and morality in diverse ways to convince Suet Ball of its validity. What a kind-hearted girl! Finally Suet Ball gives up and sacrifices her body for everyone’s freedom.

  The next morning, they are permitted to leave. But those "representatives of Virtue" totally neglect Suet Ball, casting scathing sights on the poor young woman while even disdaining talking to her and rejecting sharing their food with her in the same way that she did at the beginning. From their perspectives, Suet Ball turns out to be no more utilizable and should be condemned for her ashamed conduct. As the stagecoach travels deeper into the night, she seethes with rage against those hypocrites, and ultimately weeps for her lost dignity.

  In this story, Maupassant highlighted the intense comparison between Suet Ball and the so-called nobles. Rapacity, hypocrisy, sexuality and nobility intertwine in the spotlight,eulogizing the underclass’ patriotism and lampooning the sham of the aristocracy. Maupassant portrays the inhabitants of the stagecoach in varied disparaging ways. The most luminous character belongs to the two nuns. At first they are portrayed as tranquil and subservient to Lord and demonstrate their fiery patriotic desire to dedicate to their motherland rather than a sordid intention like the other passengers: the nuns profess to haste to a military hospital to heal the wounded French soldiers, hence presenting the argument towards instigating Suet Ball to abandon her resistance. How absurd it is! Nuns are supposed to take strait vows and treat others benevolently. They fill Suet Ball"s head with arguments, arguing that it is not morally wrong to sleep with the officer in order to let the travelers leave, and that the longer she waits, the more young French soldiers will die as the nuns are not there to look after them. Superficially, they claim that it is for the good of the country but indeed they’re just taking advantage of her. Suet Ball"s resistance to the officer"s sexual advances again indicate her patriotism. Cruel wars have stripped all the external stuffs. In contrast to all of these is Suet Ball, a prostitute, revealed to be the most fiercely patriotic, virtuous, and morally admirable character, which Maupassant contrasts with the hypocrisy and snobbery of the others.

  It is arguably Maupassant’s most famous short story. The carriage constitutes a microcosm of French society as a whole. And the narrative techniques of this story are rather sophisticated and carefully conceived. On balance, a real noble person like Suet Ball can’t be judged by the appearance or the occupation, his/ her moral quality will glitter when confronting the real ordeal. Consequently, I deem that Suet Ball is worth reading lingeringly, savoring every word.

  羊脂球英語(yǔ)讀后感 4

  英文:

  For the two months of summer vacation, I want a full, so I had the pleasure of reading the famous French novelist Maupassants "Boule de Suif". In addition to the book "Boule de Suif", there are other three stories, and I personally enjoy "Boule de Suif" this one.

  The contents of this paper is based on the background of the Franco Prussian War, the hero is a living in the bottom of society, discrimination of prostitutes, a French coach before leaving the territory, was a Prussian Officer detained officers asked Boule de Suif to spend the night with him, otherwise the coach will not pass, but the ball of fat for his patriotism, resolutely refused. But with the car on the identity of the passengers for their own interests, in order to force her to sacrifice themselves, under the ruthless threat, suet ball was forced to make a choice, you saved. However, when second of the passengers when the car Tian Yi, a ruthless alienate her, and she no longer speak. As if she were a virus, she completely forgot that her freedom was in exchange for her own sacrifice.

  The article with the succinct language, strong contrast, those people who have noble hypocrisy, elegant appearance of the ugly face to reveal the most incisive wonder about these hypocrites the resentment of the heart, beauty and ugliness of human nature to show up, impersonal, for the period of French politics, egoistic society let more, we should treat each other sincerely, people feel full of love and help each other under the atmosphere of society is very warm. At the same time, we are lucky to think that we are not living in the extraordinary circumstances. But if we do not know how to cherish, and people are wearing a "Mask", the way people are seeking whether can benefit from them, then our society will become very dim, there is no laughter. I do not want to see such a society exists, but also requires us to be honest with each other, trust each other and help each other. Every little bit to build it up, if you plant the seeds you false display of affection, will only get baoqingguayi fruit.

  I believe that each person will be happy when he is sincere. Its pathetic to wear masks and money related relationships, so we need to eliminate the barriers in good faith. With sincerity to move around the relatives and friends, to create a harmonious, happy society! Let this world is full of love.

  中文:

  對于兩個(gè)月的暑假,我想過(guò)的充實(shí)一點(diǎn),于是我有幸的閱讀了法國著(zhù)名短篇小說(shuō)家莫泊桑的《羊脂球》。書(shū)中除了《羊脂球》,還有其他三十幾篇短篇小說(shuō),而我個(gè)人比較欣賞《羊脂球》這一篇。

  文中內容是以普法戰爭為背景,主人公是一位生活在社會(huì )最底層,受人歧視的xx,有一輛法國的驛車(chē)在離開(kāi)敵區時(shí),被一名普魯士軍官扣留,軍官要求羊脂球陪他過(guò)夜,否則驛車(chē)就不能通過(guò),但是羊脂球出于自己愛(ài)國之心,毅然拒絕?墒峭(chē)上的有身份的乘客為了自身利益,逼她為了大家而犧牲自己,在無(wú)情的威脅之下,羊脂球被迫做出無(wú)奈的'選擇,救了大家。然而當第二天驛車(chē)出發(fā)時(shí),那些乘客很無(wú)情的疏遠她,不再與她講話(huà)。仿佛她是一個(gè)病毒一般,完全忘了自己的自由是她犧牲自己換來(lái)的。

  文章用簡(jiǎn)潔的語(yǔ)言,強烈的對比,把那些擁有高貴身份的人的假仁假義,雍容華貴的外表下的丑惡嘴臉給淋漓盡致的揭露出來(lái)不禁對這些偽君子起了憤恨之心,人性的美與丑展現出來(lái),對于那個(gè)時(shí)期的法國沒(méi)有人情味的勾心斗角,自私自利的社會(huì ),更讓我們感覺(jué)到人與人之間應該真誠的相待,充滿(mǎn)關(guān)愛(ài),相互幫助的氛圍之下的社會(huì )是多么的溫暖。與此同時(shí),想到現在的我們,我們是幸運的,沒(méi)有生活在那非常時(shí)期的環(huán)境里。但是如果我們不懂得珍惜,與人相處都戴著(zhù)“假面具”,為人處事都貪圖是否能從其中獲得利益,那么我們的社會(huì )將會(huì )變得非常的暗淡,世間便再也沒(méi)有了歡笑。我不希望看到這樣的社會(huì )存在著(zhù),也是需要我們人與人之間互相坦誠,互相信任,互相幫助。一點(diǎn)一滴去建造起來(lái)的,如果你種下虛情假意的種子,那么你也只會(huì )得到薄情寡義的果實(shí)。

  我相信真誠的對待每個(gè)人才會(huì )快樂(lè )。戴著(zhù)面具以金錢(qián)利益的人際關(guān)系是令人可悲的,所以我們需要誠心消除隔膜。用誠意去打動(dòng)身邊的親人,朋友,共創(chuàng )一個(gè)和諧,快樂(lè )的社會(huì )!讓這個(gè)世界充滿(mǎn)愛(ài)。

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